Performance Studies Division
National Communication Association

Books

Bryant Keith Alexander. Performing Black Masculinity: Race, Culture, and Queer Identity. Altamira Press, 2006.

Bryant Keith Alexander, Gary Anderson and Bernardo Gallegos (Eds). Performance Theories in Education: Power, Pedagogy, and the Politics of Identity. Lawrence Erlbaum Press, 2005.

Jay Baglia. The Viagra Ad Venture: Masculinity, Marketing, and the Performance of Sexual Health. Peter Lang, 2005.

Elizabeth Bell, Linda Haas, Laura Sells (eds). Mouse to Mermaid: The Politics of Film, Gender and Culture. Indiana University Press, 1995.

Deborah Borisoff and Lisa Merrill . The Power to Communicate: Gender Differences as Barriers. Waveland Press, 1998.

Theresa Carilli & Jane Campbell's Women and the Media: National and Global Perspectives. Albany, NY: State University of New York Press, 2002.

Thersa Carilli. Familial Circles. Guernica Editions Inc, 2001.

Jeanne Colleran and Jenny S Spencer, eds. Staging Resistance: Essays on Political Theater. Michigan University Press,1997

Sheron Dailey, Ed. The Future of Performance Studies: Visions and Revision. National Communication Association, 1998.

Jim Ferris. The Hospital Poems. Main Street Rag, 2004.

Elizabeth Fine. Soulstepping: African American Step Shows. University of Illinois Press, 2003.

Kirk Fuoss. Striking Performances: Performing Strikes. University Press of Mississippi, 1997.

Joanne Gillbert. Performing Marginality: Humor Gender and Cultural Critique. Wayne State University Press, 2004.

Judith Hamera, editor. Opening Acts: Performance in/as Communication and Cultural Studies. SAGE, 2005.

Diane Howard, editor. Autobiographical Writing and Performing: An Introductory Guide to Process and Research in Speech Performance. McGraw-Hill, 1999.

Shannon Jackson. Lines of Activity: Performance, Historiography, Hull-House Domesticity. University of Michigan Press, 2000.

Shannon Jackson. Professing Performance : Theatre in the Academy from Philology to Performativity. Cambridge University Press, 2004.

E. Patrick Johnson. Appropriating Blackness: Performance and the Politics of Authenticity. Duke University Press, 2003.

Stacy Holman Jones. Kaleidoscope Notes: Writing Women's Music and Organizational Culture (Ethnographic Alternatives Book Series, V. 3.). Altamira Press, 1998.

Petra Kupper. Disability and Performance: Bodies on Edge. Routledge, 2003.

Kristin M. Langellier and Eric E. Peterson. Storytelling in Daily Life: Performing Narrative. Temple University Press, 2004.

Charotte Lee and Timothy Gura. Oral Interpretation. Houghton Mifflin Company, 2000.

Lesa Lockford. Performing Femininity: Rewriting Gender Identity (Ethnographic Alternatives Book Series). Altamira Press, 2004.

Linda Longmire and Lisa Merrill (eds). Untying the Tongue: Gender, Power, and the Word. Praeger Paperback, 2001.

D. Soyini Madison. Critical Ethnography : Method, Ethics, and Performance. Sage, 2005.

D. Soyini Madison, ed. The Woman That I Am: The Literature and Culture of Contemporary Women of Color. St. Martin's Press, 1993.

Daniel Makagon. Where the Ball Drops: Days and Nights in Times Square. University of Minnesota Press, 2004.

Lisa Merrill. When Romeo Was a Woman : Charlotte Cushman and Her Circle of Female Spectators. University of Michigan Press, 2000.

Lynn C. Miller, Jacqueline Taylor, and M. Heather Carver, eds. Voices Made Flesh: Performing Women's Autobiographies.University of Wisconsin Press. 2003.
Lynn C. Miller and Ronald J. Pelias, eds. The Green Window: Proceedings of the Giant City Conference on Performative Writing. Carbondale : Southern Illinois University, 2001.
Ronald Pelias. A Methodology of the Heart: Evoking Academic and Daily Life. Rowman & Littlefield, 2004.

Della Pollock. Telling Bodies Performing Birth. Columbia University Press, 1999.

Della Pollock, ed. Exceptional Spaces Essays in Performance and History. University of North Carolina Press, 1998. 1999.

H-Dirksen L. Bauman, Jennifer L. Nelson, and Heidi M. Rose, eds. Signing the Body Poetic Essays on American Sign Language Literature. University of California Press, 2006

Carol Simpson Stern and Bruce Henderson. Performance: Texts and Contexts. Longman, l993.

Nathan Stucky and Cynthia Wimmer, eds. Teaching Performance Studies. Southern Illinois University Press, 2002.

Susan Tomasovic. Oral Interpretation Workbook. Kendall- Hunt, 2001

John T. Warren. Performing Purity: Whiteness, Pedagogy, and the Reconstitution of Power. Peter Lang, 2004.

Judy Yordon. Roles In Interpretation. McGraw-Hill Humanities/Social Sciences/Languages; 4th edition, 1998.

Judy Yordon. Experimental Theatre: Creating and Staging Texts Waveland Press, 1996.