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In order to improve
pronunciation, ESL students need controlled practice with stress-timed
rhythm. But before they can produce it, they have to be able to hear it. Those
from syllable-timed languages, like Japanese or Spanish, will especially have
difficulty, so they will need a little more practice, and what better way to
let them practice again and again but with the aid of CALL. For this purpose, I have designed an
exercise using a Dr. Seuss story, “And to Think That I Saw it on Mulberry
Street,” read aloud by Daniel
Pinkerton on NPR’s Saturday Edition, March 6, 2004 <
http://www.npr.org/features/feature.php?wfId=1749674>. Students will also need a copy of the text,
“And to Think That I Saw it on Mulberry Street,” which can be downloaded from
the University of Massachusetts poetry website <
http://www-unix.oit.umass.edu/~poetsma/mulberry.html>. As it is read, students concentrate on the
rhythm and place a mark above the syllables where they hear stress. You may need to help them get started by
tapping out the rhythm with your fingers on a desk. Tapping will let them experience the
regular stresses, no matter how many syllables fall in between. Once they find the pattern, ask them use
Sound Recorder to read part of the story.
They can then listen to themselves and record the story again and
again until they are satisfied. As an optional activity, you can have them
post a message in Nicenet to answer these questions: Why do you think Marco saw more than a
horse and wagon? Why did he turn “red
as a beet” at the end? Think about
what you see when you are on your way home from school and write a
description. “That can't be my
story. That only a start, I'll say that a ZEBRA was pulling that cart.” |
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by Debbie
Mitchell |


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But what he really needed was a lesson in stress and
rhythm. Not only did
putting stress on the wrong syllable of “battery” prevent the clerks from
understanding José, but also equal stress on all syllables throughout the
utterance would have been interfering with comprehension. A regular
patterned beat of stressed and unstressed syllables and pauses is what makes
spoken English sound similar to music. This stress-timed rhythm is
particularly heard in poetry, jazz chants and limericks. |
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Dr. Seuss: A prescription for
stress! |






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TELL@ELI Email:
gorenczo@ehelios.acomp.usf.edu Copyright © 2004, University of South
Florida. |